Design Portfolio

Web Designer & Creative Strategist

  • kwabenafoli.com – Personal portfolio site showcasing multidisciplinary work in photography, writing, and digital storytelling. Designed full UX layout, wrote all copy, and developed custom visual identity. All images by myself. (2025)

  • bushidokaratefitness.com – Website for a martial arts and fitness studio. Led site architecture, brand tone, and responsive design with a focus on motion and discipline. All photography by myself. (2024)

  • naicounseling.com – Mental health practice site centering culturally responsive therapy. Developed content strategy, calming visual language, and clear UX pathways for prospective clients. (2024)

Album Art & Creative Direction

  • 6777: An Alysha Monique Prelude - Alysha Monique (2024)
    Designed full cover artwork, typography, and digital packaging. Concept emphasized ritual, softness, and self-possession.
    Listen on Spotify

  • Really Human – Cole DeGenova (2020)
    Art directed and designed album cover rooted in analog textures and dreamlike intimacy. Delivered assets for digital and print (vinyl) release.
    Listen on Spotify

Writing Portfolio

Screenwriting:

      • Rise of the Tiger – Feature Screenplay (2025)

Psychological martial arts horror exploring identity, trauma, and transformation in 1970s Harlem. Completed full-length spec script; currently in development for submission to festivals and labs.

Books:

  • There Are Many Ways to Say Our Name (2024, Self-Published)

  • on god (2021, Candor Arts)

  • learning rhythm (2017, Flowered Concrete Press)

Selected Literary Journals:

  • The Los Angeles Review

  • Meridian

  • Salt Hill Journal

  • Crab Orchard Review

  • Mikrokosmos Journal

  • cream city review

Artistic Exhibitions

  • god gives rest / not sleep – Seerveld Gallery, IL (2020)

  • on god – Elastic Arts, Chicago (2019)

  • Survey 1 – Chicago Artists Coalition (2019)

  • Tracing Faults – University of Illinois, Springfield (2020)

  • RGB – Fredericks & Mae’s, Brooklyn (2019)

  • Hot Seven – Gene Siskel Film Center (2017)

  • Gallery 400/our duty to fight — University of Illinois, Chicago (2017)

Residencies

  • Ragdale Foundation (2021)

  • Chicago Artists Coalition – HATCH (2020)

  • Elastic Arts – Dark Matter (2020)

  • Banff Centre for Arts & Creativity - Writing Studio (2018)

  • Poetry Center of Chicago – Hands On Stanza (2016–2018)

Awards & Honors

  • Los Angeles Review Literary Award (Winner, 2019)

  • 30 Writers to Watch – Guild Literary Complex (Honoree, 2019)

  • Press 53 Award for Poetry (Finalist, 2018)

  • Kathryn A. Morton Prize in Poetry (Finalist, 2018)

  • Mikrokosmos Poetry Contest (Finalist, 2018)

  • Poetry Slam Inc. Grand Slam Champion, Chicago (2015–2016)

Selected Teaching & Facilitation Highlights (2010 - 2021)

  • Creative Nonfiction Instructor – ChiArts (Chicago High School for the Arts)
    Designed and taught trauma-informed, culturally responsive curriculum focused on identity, testimony, and performance. Mentored students in creative writing and oral storytelling.

  • High School Equivalency Teacher – CASES
    Designed and facilitated trauma-informed, arts-integrated GED curriculum for court-involved and formerly incarcerated youth in Brooklyn, NY.

  • Instructor – Southern Illinois University, Carbondale
    Taught undergraduate Communication courses with an emphasis on performance ethnography, critical race theory, and public speaking.

  • Teaching Artist & Workshop Leader – Get In Chicago, After School Matters
    Delivered youth poetry and performance intensives exploring themes of narrative power, liberation, and vulnerability.

  • Educator – Various Roles Across Chicago, New York, and Florida
    Taught across public schools, universities, and arts nonprofits, consistently using narrative-based frameworks (e.g., Narrative Therapy, Nonviolent Communication) to center voice and agency in learning spaces.

Education

M.A. in Communication Studies (Performance Studies) / Southern Illinois University Carbondale, 2011

Thesis: Jockin’ Jay-Z: A Praxis-Oriented Autoethnography Toward Possibility

A hybrid auto-ethnographic and performance-based thesis exploring hip-hop aesthetics, cultural agency, and personal narrative through the lens of praxis and critical possibility.